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    • Medicine and Mortality — The Apothecary in the 18th Century
      By Karen Gonzalez The date: June 12, 1783. The place: Williamsburg, Va. Imagine that your child suddenly develops a high fever. Rumors of another smallpox epidemic are whispered in the streets and your neighbor also has a fever. What do you do? If word gets out that you have a sick child, you and your family may ... Continue Reading »
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      By Ben Swenson Here’s a stumper for you: Why is Colonial Williamsburg’s Magazine shaped like an octagon? Answer? Nobody is 100 percent sure. There are good guesses, but Alexander Spotswood, lieutenant governor of Virginia from 1710 to 1722 and likely architect of the Magazine, never wrote down his muse.
    • In the Garden: Of Cushaws and Cantaloupes
      The first cushaws of the season have now been harvested. Cushaws Robert Beverly, who recorded observations of those fruits and vegetables known to the indigenous people before the English arrived in his seminal work The History and Present State of Virginia, first published in 1705, included this ... Continue Reading »
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Glorious Christmas Nights Richmond VA Christmas Play

It’s a bit of a drive from Hampton Roads or Williamsburg VA but well worth the trip. The annual Christmas productions put on by the West End Assembly of God  “Glorious Christmas Nights.” This year’s production is an exception; it is a repeat of a previous work done in 2003, brought back by popular demand. Last year over 25,000 tickets were sold.

I just checked the website http://www.gloriouschristmasnights.com/ and there are still tickets available bit they seem to be selling out very quickly.

Thank you to Lowell Qualls and his informative blog posting  http://lowellequalls.wordpress.com/2008/11/05/check-out-glorious-christmas-nights/

Four-hundred actors, stage hands, musicians and dancers combine their talents to pull off a holiday show that gets you “in the mood” for Christmas.  Take a look at the clip below (from 2005 – this happens to be my favorite show) to get a feel for the quality and scope of the production.

Bob Laughlin is the producer (the Music & Fine Arts pastor), Ron Klipp is the show’s musical composer, and Kathy Craddock is the director and primary writer.  When you combine Laughlin’s genius, Craddock’s imagination and Klipp’s original scores … well, let me put it to you this way:  if you’re lucky enough to get tickets … you will have a blast, and your heart will be touched.  It’s a Broadway quality show with a message that will stir you.  Taking children just adds to the experience.

This year’s story is about two bumbling angels – Ted and Randall – who are given an assignment:  to make sure the Wise Men make it to the stable so they can bring their gifts to Jesus.  They’re told by their boss – the archangel Michael – that they can locate the Wise Men at Herod’s palace during the reign of Caesar Augustus.  When they type the coordinates and data into their heavenly GPS (”HALO”) they get it all wrong.  Instead of Herod’s palace they wind up at Harrod’s Department Store in 1903 London.  There they pick up two kids – Patch and Runt – and the screwy angels take them to Caesar’s Palace in Las Vegas before finally winding up in Bethlehem.

While the script isn’t biblically accurate (the Wise Men didn’t show up at the stable on the night Jesus was born, but about two years later), it reflects what has become “the Christmas story” told in most churches at this time of year.

Like I mentioned before, the clip below comes from another great Craddock/Laughlin story.  Santa decides to fore go delivering packages on Christmas Eve one year because he’s had it with selfish, demanding kids and their materialistic parents.  That all changes when he receives a letter from a young boy who “gets it.”  (Complicating matters … Mrs. Claus believes Santa’s in a funk because she’s not as young and beautiful as she once was.)  There are villains and drama and comedy galore … and the awesome Youth choir brings the house down during their number at every show.

Tickets for the shows (there’s 16 of them over two weeks) are usually hard to come by not long after the box office opens on-line and at the church.  However … if you try really hard, and you don’t mind if your entire family can’t sit together, tickets can be had.  (All proceeds go to the Mission Fund at WEAG … www.weag.org.)

Here are a few videos of past years performances.

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